Posts tagged ‘manifesto’

May 1, 2013

What lies in the periphery of simplicity is definitely not peripheral.

by Emma

Frank Lloyd Wright. This manifesto, written as a series of “fellowship assets” meant to guide the apprentices who worked with him at his school, Taliesin.

 

1. An honest ego in a healthy body.

 

2. An eye to see nature.

 

3. A heart to feel nature.

 

4. Courage to follow nature.

 

5. The sense of proportion (humor).

 

6. Appreciation of work as idea and idea as work.

 

7. Fertility of imagination.

 

8. Capacity for faith and rebellion.

 

9. Disregard for commonplace (inorganic) elegance.

 

10. Instinctive cooperation.

 

 

 

 

 

 

July 5, 2012

Women and Painting – Marlene Dumas 1993

by Emma

1.

I paint because I am a woman.

(It’s a logical necessity.) 

If painting is female and insanity is a female malady, then all women painters are mad and all male painters are women.  

2. 

I paint because I am an artificial blonde woman.

(Brunettes have no excuse.)

If all good painting is about color then bad painting is about having the wrong color. But bad things can be good excuses. As Sharon Stone said, Being blonde is a great excuse. When you’re having a bad day you can say, I can’t help it I’m just feeling very blonde today.

3.

I paint because I am a country girl.

(Clever, talented, big-city girls don’t paint.)

I grew up on a wine farm in Southern Africa. When I was a child I drew bikini girls for guests on the back of their cigarette packs. Now I’m a mother and I live in another place that reminds me a lot of a farm-Amsterdam. (It’s a good place for painters.) Come to think of it I’m still busy with those types of images and imagination.

4.

I paint because I’m a religious woman.

(I believe in eternity.)

Painting doesn’t freeze time it circulates and recycles time like a wheel that turns. Those who were first might well be last. Painting is a very slow art. It doesn’t travel with the speed of light.

That is why dead painters shine so bright.

It’s ok to be the second sex.

It’s ok to be the second best.

Painting is not a progressive activity.

5.

I paint because I am an old-fashioned woman.

(I believe in witchcraft.)

I don’t have Freudian hang-ups. A brush does not remind me of a phallic symbol. If anything, the domestic aspect of a painter’s studio (being locked up in a room) reminds me a bit of a housewife with her broom. If you’re a witch you will still know how to use it. Otherwise it’s obvious you’ll prefer the vacuum cleaner.

6.

I paint because I am a dirty woman.

(Painting is messy business.)

It can never be a pure conceptual medium.  The more conceptual or cleaner the art, the more the head can be separated from the body, and the more the labor can be done by others. Painting is the only manual labor I do.

7.

I paint because I like to be bought and sold.

Painting is about the trace of the human touch. It is about the skin of a surface. A painting is not a postcard. The content of the painting cannot be separated from the feel of its surface. Therefore, in spite of everything, Cezanne is more than vegetation and Picasso is more than an anus and Matisse is not a pimp.

February 22, 2012

Henry’s Miller’s Commandments

by Katyslany

COMMANDMENTS
1. Work on one thing at a time until finished.
2. Start no more new books, add no more new material to ‘Black Spring.’
3. Don’t be nervous. Work calmly, joyously, recklessly on whatever is in hand.
4. Work according to Program and not according to mood. Stop at the appointed time!
5. When you can’t create you can work.
6. Cement a little every day, rather than add new fertilizers.
7. Keep human! See people, go places, drink if you feel like it.
8. Don’t be a draught-horse! Work with pleasure only.
9. Discard the Program when you feel like it—but go back to it next day. Concentrate. Narrow down. Exclude.
10. Forget the books you want to write. Think only of the book you are writing.
11. Write first and always. Painting, music, friends, cinema, all these come afterwards.
Under a part titled Daily Program, his routine also featured the following wonderful blueprint for productivity, inspiration, and mental health:
MORNINGS:
If groggy, type notes and allocate, as stimulus.
If in fine fettle, write.
AFTERNOONS:
Work of section in hand, following plan of section scrupulously. No intrusions, no diversions. Write to finish one section at a time, for good and all.
EVENINGS:
See friends. Read in cafés.
Explore unfamiliar sections — on foot if wet, on bicycle if dry.
Write, if in mood, but only on Minor program.
Paint if empty or tired.
Make Notes. Make Charts, Plans. Make corrections of MS.
Note: Allow sufficient time during daylight to make an occasional visit to museums or an occasional sketch or an occasional bike ride. Sketch in cafés and trains and streets. Cut the movies! Library for references once a week.